theartsdesk Q&A: Musician Esperanza Spalding
Bassist, vocalist and composer, Esperanza Spalding is one of the most exciting things to happen to jazz in recent memory. Born and raised on what she has called “the other side of the tracks” in Portland, Oregon, Spalding grew up in a single-parent home. Encouraged by her mother, she began playing violin at the age of five and gained a place in the Chamber Music Society of Oregon. By the time she left, 10 years later, she had risen to the position of concertmaster. By then, she had also discovered the bass, and all of the non-classical avenues that the instrument opened up for her: funk, hip-hop, jazz.
achieved a beautiful balance between the improvised and the through-composed.The 26-year-old has already worked with some of the greatest names in jazz, including pianist Michel Camilo, guitarist Pat Metheny and sax player Joe Lovano. She has performed at the White House (twice) and the Nobel Prize Ceremony in Oslo, appeared in an ad campaign for Banana Republic and on the 'Late Show' with David Letterman. In 2009 she picked up the Jazz Journalists Association’s award for Up and Coming Artist of the Year. Earlier this year she won the Grammy Award for Best New Artist – the first ever jazz musician to win this award. For her forthcoming album, Radio Music Society
ESPERANZA SPALDING: There was always music at home. My mom liked listening to the radio and my brother would play his albums too, though the first major impact was seeing Yo Yo Ma on TV – I do remember watching the show. I guess I'd never seen anyone actually playing an instrument. I'd never heard music like that and, right away, I thought it was interesting and funny and I liked the sound. At that time, I guess it was like a basic attraction: "I like that sound. I don't know what it is, but I want to do that!"
Much of your early musical experience was spent playing chamber music on the violin. Which pieces have particularly stayed with you from this period, and why?
There are two themes that come to mind, the first from a piece I played when I was about seven entitled "On The Volga" (that's all I remember about it, I don't remember the composer!). But I remember loving the themes and thinking of them day and night. Other themes that really struck me as a child - and still move me whenever I think about it - are the themes from Scheherazade by Rimsky-Korsakov. Somehow my mother and I found an old record of the whole piece and I listened to it madly. Then, the next summer, the Chamber Orchestra in which I studied decided to start working on it. Playing that piece is the highlight from all the 10 years’ playing violin.
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